
So HP’s new logo is not going to be their new logo. A company spokesperson definitively quashed the rumor by letting us know that “HP is one of the world’s most valuable brands and has no plans to adopt the new logo.” Honestly, I wasn’t comforted. Since April of 2010, the market cap of HP has dropped by 50%.
Well, it’s not the first time I got all excited for nothing. I am after all a closet optimist. That is to say, while sometimes I let go of a belly laugh when Olympic skaters kiss the ice rink floor after a quadruple axle to the melodies of Tchaikovsky, I actually think everyone who gets to the Olympics deserves a gold medal. (I know. I’m complicated and probably immature, but spandex, human flight, gravity, and classical music are hilarious when combined in appropriate amounts.)
So this brings me to HP, whose mission is to create “…new possibilities for technology to have a meaningful impact on people, businesses, governments and society.” I’m a sucker for mission statements written to improve human lives, since I’m human and I get to benefit regardless of buying a printer. The almost new logo seems the very embodiment of these possibilities. To my point, even though HP probably drives you crazy, I’m sure the better part of you saw that new logo and said, “Ooh, look. HP did something inspiring amid the slippery ice of leadership decisions and product launches.” It’s like, say, a gold medal for the Jamaican bobsled team.
As CEO of a firm that often designs logos, there is nothing more frustrating than good work that is not adopted, so I’m biased in my appraisal. They should have adopted the mark, and with some flair and a little PR deftness, they could have adopted it up until the statement by the spokesperson. The reaction to the “misunderstanding” contains something more insidious; that is, design is a distraction from the business at hand, which includes bringing the stock back and managing the tablet mess.
Design is always the business at hand.
Ironically, great design in many ways shares HP’s mission of creating new possibilities. Great logos are not merely symbols. They are catalysts. As Professor Anthony Dunne, Head of the Design Interactions Department at the Royal College of Art in London points out…
“This space of probable, preferable, plausible and possible futures allows designers to challenge design orthodoxy and prevailing technological visions so that fresh perspectives can begin to emerge. It is absolutely not about prediction, but asking what if…, speculating, imagining, and even dreaming in order to encourage debate about the kind of technologically mediated world we wish to live in. Hopefully, one that reflects the complex, troubled people we are, rather than the easily satisfied consumers and users we are supposed to be.”
Beautiful. This perspective feels like a shaded Sunday stroll in the English countryside along the green shires near the River Rea. And management decisions targeted at the “…easily satisfied consumers and users we are supposed to be?” Well, we all know this road. Its hot steaming asphalt leads only one place – right into the heart of Abilene.





